1. |
ENTER
02:07
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2. |
RIGHT
01:38
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||
3. |
STRAIGHT
03:24
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||
4. |
LEFT
02:26
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||
5. |
|
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6. |
RIGHT (AT FORK)
06:04
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7. |
DEAD END
04:40
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TONGUE DEPRESSOR New Haven, Connecticut
HENRY BIRDSEY +
ZACH ROWDEN
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"Hollow" (NRR50)
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Incredible display of control, discipline, and a deep knowledge of the resonant properties of stringed instruments. Virtuosic command of spectral variation, bow pressure, and the infinite distance between the bridge and the fingerboard. Highly recommended for snooty academic french school spectral music fans and rude texture-hungry harsh heads alike.
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Wounds of Love: Khmer Oldies, Vol. 1
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I listened to this walking in the rain and it was a very romantic feeling.
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Lee "Scratch" Perry's Guide to the Universe
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Created in partnership with the Canadian noisemakers, the late legend's final collaborative LP enshrines his ability to lift joint ventures into otherworldly territory.
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Me and the Glassbirds
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The Doom Trip label never misses, and the latest LP from the genius Heejin Jang is a trip into thrilling industrial terror.
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Jessica Moss uses vocals and violin to create haunted celestial spaces that are fragile and powerful in equal measure.
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"Adult Contemporary" C-40 (NRR30)
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